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        <title>Alireza (Rock Club)'s blog</title>
        <description>The blog of Alireza (Rock Club)</description>
        <link>http://en.netlog.com/alirezabayat/blog</link>
        <lastBuildDate>Thu, 03 Dec 2009 04:59:55 UT</lastBuildDate>
        <generator>FeedCreator 1.7.2</generator>
        <image>
            <url>http://en.netlogstatic.com/p/tt/024/808/24808539.jpg</url>
            <title>alirezabayat</title>
            <link>http://en.netlog.com/alirezabayat</link>
            <description>alirezabayat</description>
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        <item>
            <title>Robert Anthony Plant</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3439670</link>
            <description>Robert Anthony Plant CBE (born 20 August 1948), is an English rock singer and songwriter, famous for his membership in the former rock band Led Zeppelin as the lead vocalist and lyricist, as well as for his successful solo career. In 2007, he released an album, Raising Sand, produced by T-Bone Burnett with American bluegrass soprano Alison Krauss, which won the 2009 Grammy Award for Album of the Year.&lt;br /&gt;&lt;br /&gt;In 1968, the guitarist Jimmy Page was in search of a lead singer for his new band and met Plant after being turned down by his first choice, Terry Reid, who referred him to a show at a teacher training college in Birmingham— where Plant was singing in a band named Hobbstweedle.Page explained:&lt;br /&gt; When I auditioned him and heard him sing, I immediately thought there must be something wrong with him personality-wise or that he had to be impossible to work with, because I just could not understand why, after he told me he'd been singing for a few years already, he hadn't become a big name yet. So I had him down to my place for a little while, just to sort of check him out, and we got along great. No problems.&lt;br /&gt;According to Plant:&lt;img src=&quot;http://en.netlogstatic.com/p/oo/026/331/26331110.jpg&quot; /&gt;&lt;br /&gt;I was appearing at this college when Peter and Jimmy turned up and asked me if I'd like to join The Yardbirds. I knew The Yardbirds had done a lot of work in America - which to me meant audiences who would want to know what I might have to offer - so naturally I was very interested.&lt;br /&gt;Plant and Page immediately hit it off with a shared musical passion and after Plant joined the band they began their writing collaboration with reworkings of earlier blues songs, although Plant would receive no songwriting credits on the band's first album, allegedly because he was still under contract to CBS Records at the time. Plant brought along John Bonham as drummer, and they were joined by John Paul Jones, who had previously worked with Jimmy Page as a studio musician. Jones called Page on the phone before they checked out Plant, and Page hired Jones immediately.&lt;br /&gt;Initially dubbed the &amp;amp;quot;New Yardbirds&amp;amp;quot; in 1968, the band soon came to be known as Led Zeppelin. The band's self-titled debut album hit the charts in 1969 and is widely credited as a catalyst for the heavy metal genre. Plant, however, has commented that it is unfair for people to think of Zeppelin as heavy metal, as almost a third of their music was acoustic&lt;br /&gt;n 1975, Plant and his wife Maureen were seriously injured in a car crash in Rhodes, Greece. This significantly affected the production of Led Zeppelin's seventh album Presence for a few months while he recovered, and forced the band to cancel the remaining tour dates for the year.&lt;br /&gt;&lt;br /&gt;Plant enjoyed great success with Led Zeppelin throughout the 1970s and developed a compelling image as the charismatic rock-and-roll front man, similar to contemporaries such as Roger Dal trey of The Who and Jim Morrison of The Doors. With his mane of long blond hair and powerful, bare-chested appearance, Plant helped to create the &amp;quot;god of rock and roll&amp;quot; or &amp;quot;rock god&amp;quot; archetype. On stage, Robert was particularly active in live performances, often dancing, jumping, snapping his fingers, clapping, making emphatic gestures to emphasize a lyric or cymbal crash, throwing back his head, or placing his hands on his hips. As the 1970s progressed he, along with the other members of Led Zeppelin, became increasingly flamboyant onstage and wore more elaborate, colorful clothing and jewelery.&lt;br /&gt;&lt;br /&gt;According to Ian Fortnam, &amp;quot;once [Plant] had a couple of US tours under his belt, 'Percy' Plant swiftly developed a staggering degree of bravado and swagger that irrefutably enhanced Led Zeppelin's rapidly burgeoning appeal.&amp;quot; In 1994, during his &amp;quot;Unledded&amp;quot; tour with Jimmy Page, Plant himself reflected tongue-in-cheek upon his Led Zeppelin showmanship:&lt;br /&gt;&lt;br /&gt;I can't take my whole persona as a singer back then very seriously. It's not some great work of beauty and love to be a rock-and-roll singer. So I got a few moves from Elvis and one or two from Sonny Boy Williamson and Howlin' Wolf and threw them all together.&lt;br /&gt;&lt;br /&gt;Plant performed with living members of Led Zeppelin both in 1985 for Live Aid (with Phil Collins and Tony Thompson on drums) and in 1988 for Atlantic Records 40th Anniversary. At the 1988 reunion, Jason Bonham, the son of Led Zeppelin's late drummer John Bonham, played drums. Both sets featured only a few songs, performed with minimal rehearsal. Plant was unhappy with both performances, saying that &amp;quot;it was like sleeping with your ex-wife but not making love.&amp;quot; In 1995, Led Zeppelin was inducted into the Rock and Roll Hall of Fame, and Plant performed at the induction show with Jimmy Page, John Paul Jones, Jason Bonham, Neil Young, Steven Tyler and Joe Perry, performing spirited versions of &amp;quot;Bring It On Home&amp;quot;, &amp;quot;Honeybee&amp;quot;, and &amp;quot;When the Levee Breaks.&amp;quot;&lt;br /&gt;&lt;br /&gt;After years of reunion rumors, Led Zeppelin performed a full two-hour set on 10 December 2007 at the Ahmet Ertegün Tribute Concert, with Jason again filling in on drums. Despite enormous public demand, Plant declined a $200 million offer to tour with Led Zeppelin after the 2007 show. In interviews following the 2007 show, Plant left the door open to possible future performances with Led Zeppelin, saying that he enjoyed the reunion and felt that the show was strong musically.  Although Page, Jones, and Bonham have expressed the strong desire to tour as Led Zeppelin, Plant has consistently opposed a full tour and has responded negatively to questions about another reunion. In a January, 2008 interview, he stated that he does not want to &amp;quot;tour like a bunch of bored old men following the Rolling Stones around.&amp;quot; In a statement on his web site in late 2008, Plant stated, &amp;quot;I will not be touring with Led Zeppelin or anyone else for the next two years. Anyone buying Led Zeppelin tickets will be buying bogus tickets.&amp;quot;&lt;br /&gt;Plant became one of the most significant singers of the genre and influenced the style of many of his contemporaries, including Ann Wilson,Sammy Hagar, Rob Halford,and later rock vocalists such as Jeff Buckley who imitated his performing style extensively. Don McLean has cited Plant as an influence as well. Freddie Mercury of Queen, Steven Tyler of Aerosmith, and Bruce Dickinson of Iron Maiden also were influenced by Plant. Axl Rose of Guns N' Roses was kicked out of many Los Angeles bands for his vocal similarity to Plant.&lt;br /&gt;&lt;br /&gt;In 2003, Rolling Stone magazine named Plant as number 15 on their list of the 100 Greatest Singers of All-Time. In 2006, metal magazine Hit Parade named Plant #1 on their list of the 100 Greatest Metal Vocalists of All-Time, a list which included Rob Halford , Steven Tyler  and Freddie Mercury , all of whom were influenced by Plant. That same year Blabbermouth.net named Plant the #1 vocalist on their list of the 100 Greatest Metal Vocalists of All-time.He was appointed Commander of the Order of the British Empire (CBE) in the 2009 New Year Honours .</description>
            <author>alirezabayat</author>
            <pubDate>Sat, 10 Oct 2009 11:36:32 UT</pubDate>
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            <title>پرواز را بخاطر بسپار</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3439486</link>
            <description>دلم گرفته است&lt;br /&gt;&lt;br /&gt;دلم گرفته است&lt;br /&gt;&lt;br /&gt;به ايوان مي روم و انگشتانم را&lt;br /&gt;&lt;br /&gt;بر پوست كشيده شب مي كشم&lt;br /&gt;&lt;br /&gt;چراغهاي رابطه تاريكند&lt;br /&gt;&lt;br /&gt;چراغهاي رابطه تاريكند&lt;br /&gt;&lt;br /&gt;كسي مرا به آفتاب&lt;br /&gt;&lt;br /&gt;معرفي نخواهد كرد&lt;br /&gt;&lt;br /&gt;كسي مرا به ميهماني گنجشكها نخواهد برد&lt;br /&gt;&lt;br /&gt;پرواز را به خاطر بسپار&lt;br /&gt;&lt;br /&gt;پرنده مردني است&lt;br /&gt;&lt;br /&gt;فروغ فرخزاد</description>
            <author>alirezabayat</author>
            <pubDate>Sat, 10 Oct 2009 08:58:25 UT</pubDate>
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            <title>Schism</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3418615</link>
            <description>I know the pieces fit cuz I watched them fall away&lt;br /&gt;Mildewed and smoldering, fundamental differing,&lt;br /&gt;Pure intention juxtaposed will set two lovers souls in motion&lt;br /&gt;Disintegrating as it goes testing our communication&lt;br /&gt;The light that fueled our fire then has burned a hole between us so&lt;br /&gt;We cannot see to reach an end crippling our communication.&lt;br /&gt;I know the pieces fit cuz I watched them tumble down&lt;br /&gt;No fault, none to blame it doesnt mean I dont desire to&lt;br /&gt;Point the finger, blame the other, watch the temple topple over.&lt;br /&gt;To bring the pieces back together, rediscover communication.&lt;br /&gt;The poetry that comes from the squaring off between,&lt;br /&gt;And the circling is worth it.&lt;br /&gt;Finding beauty in the dissonance.&lt;br /&gt;There was a time that the pieces fit, but I watched them fall away.&lt;br /&gt;Mildewed and smoldering, strangled by our coveting&lt;br /&gt;Ive done the the math enough to know the dangers of a second guessing&lt;br /&gt;Doomed to crumble unless we grow, and strengthen our communication&lt;br /&gt;Cold silence has a tendency to atrophy any sense of compassion&lt;br /&gt;Between supposed lovers&lt;br /&gt;Between supposed lovers.&lt;br /&gt;&lt;br /&gt;And I know the pieces fit.</description>
            <author>alirezabayat</author>
            <pubDate>Wed, 30 Sep 2009 12:07:21 UT</pubDate>
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            <title>Maynard James Keenan</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3418609</link>
            <description>Maynard James Keenan (born James Herbert Keenan on April 17, 1964) is an American rock singer, songwriter, musician, record producer, winemaker, and actor. Originally from Ohio, Keenan spent his high school and college years in Michigan. After serving in the Army in the early 1980s, he attended Kendall College of Art and Design in Grand Rapids. He moved to Los Angeles, California, in 1988 to pursue a career in interior design and set construction, and formed the band Tool with Adam Jones shortly thereafter.&lt;br /&gt;&lt;br /&gt;Keenan is best known as the lead singer of the multi-platinum rock bands Tool and A Perfect Circle with whom he has released four and three studio albums, respectively. In 2003, he created Puscifer as a side project, financing and releasing its first studio album in October 2007. Since rising to fame, Keenan has been a noted recluse, although he does emerge to support charitable causes.&lt;br /&gt;&lt;br /&gt;In addition to his music career, he has performed improvisational stand-up comedy and ventured into acting. He is the current owner of Merkin Vineyards and the associated winery, Caduceus Cellars, and has part ownership of Stronghold Vineyards, all located in Arizona, where he lives. Keenan is also featured in Blood Into Wine: The Arizona Stronghold, a documentary about Stronghold Vineyards. Among other business ventures, he is a partner in the Los Angeles restaurant Cobras &amp;amp; Matadors, and owns a produce market and an organic market in Cornville, Arizona, the latter featuring a tasting room for his wines as well as a food court.</description>
            <author>alirezabayat</author>
            <pubDate>Wed, 30 Sep 2009 12:04:37 UT</pubDate>
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            <title>John Peter Petrucci</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3401639</link>
            <description>John Peter Petrucci (born July 12, 1967) is an American guitarist and songwriter best known as a founding member of the progressive metal band Dream Theater. Along with his bandmate Mike Portnoy, he has produced all Dream Theater albums since their 1999 release, Metropolis Pt. 2: Scenes from a Memory. Petrucci was named as the third player on the G3 tour six times, more than any other invited guitarist. GuitarOne ranked him as the 9th Greatest Shredder of All Time&lt;br /&gt;Petrucci first played guitar at the age of eight when he noticed his sister (who was taking organ lessons at the time) was allowed to stay up past her bed time to practice. He soon dropped it when his plan failed. At age 12, he began playing again when he was invited into the band of his friend Kevin Moore, who would later become the first keyboardist of Dream Theater. Petrucci began to practice in earnest. He was a largely self-taught guitarist who developed his skills through attempts to match the skill of his idols, who included Steve Morse, Steve Howe, Steve Vai, Stevie Ray Vaughan, Al Di Meola, Alex Lifeson and Allan Holdsworth.&lt;br /&gt;Petrucci attended Berklee College of Music in Boston with childhood friend John Myung (bass), where they met future bandmate Mike Portnoy (drums). These three in addition to another childhood friend of Petrucci and Myung, Kevin Moore (Keyboards), formed the band Majesty, which would later become Dream Theater.&lt;br /&gt;While Dream Theater is what Petrucci is most commonly associated with, he is also a part of the project band Liquid Tension Experiment and has appeared as a guest on several records by other artists such as the Age of Impact album by the Explorer's Club.&lt;br /&gt;Petrucci has released a guitar instructional video, &amp;quot;Rock Discipline&amp;quot;, which covers warm up exercises, exercises to avoid injury while playing, alternate picking, sweep picking, chords and other techniques for developing one's guitar playing. Petrucci also has a book named &amp;quot;Guitar World presents John Petrucci's Wild Stringdom&amp;quot;, which was compiled from columns he wrote for Guitar World magazine, bearing that same title.&lt;br /&gt;In 2001 he was invited by Joe Satriani and Steve Vai to tour with them on the popular G3 guitar tour, which exposed him to a massive number of new fans and inspired him to record a solo album. Suspended Animation was released on March 1, 2005, and made available for order from his web site. He also appeared on the 2005, 2006 and 2007 G3 tours.&lt;br /&gt;Petrucci also wrote and recorded two instrumental soundtrack songs for a Sega Saturn game titled Digital Pinball: Necronomicon. Each track is roughly two minutes long and they are simply titled &amp;quot;Prologue&amp;quot; and &amp;quot;Epilogue&amp;quot;. Petrucci is an avid Sega Saturn gamer, and has revealed in interviews that he never tours without one.&lt;br /&gt;In 2007, John Petrucci went on G3 tour again, this time with Joe Satriani and Paul Gilbert.&lt;br /&gt;Dream Theater bandmate Jordan Rudess revealed in an interview that Petrucci is a practicing Catholic. Petrucci is married to Rena Sands, a guitarist in the all-female heavy metal band Meanstreak, and they have 3 children, Samantha and Reny (who are twins), and Kiara. He is also an avid fan of bodybuilding and dedicates much of his off time to weight training. &lt;br /&gt;John Petrucci won the &amp;quot;Guitarist of the Year 2007&amp;quot; award recently in Total Guitar Magazine.&lt;br /&gt;He is a voting member of NARAS.&lt;br /&gt;Petrucci is respected for his variety of guitar styles and skills. One of the most notable of these is his high speed alternate picking which, as he himself claims, requires a &amp;quot;strong sense of synchronization between the two [playing] hands.&amp;quot; He has performed alongside Joe Satriani and Steve Vai on their annual G3 tour 6 times</description>
            <author>alirezabayat</author>
            <pubDate>Tue, 22 Sep 2009 08:30:58 UT</pubDate>
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            <title>In the flesh (Mr Pink Floyd)</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3401501</link>
            <description>So ya&lt;br /&gt;Thought ya&lt;br /&gt;Might like to&lt;br /&gt;Go to the show.&lt;br /&gt;To feel that warm thrill of confusion,&lt;br /&gt;That space cadet glow.&lt;br /&gt;I've got some bad news for you sunshine,&lt;br /&gt;Pink isn't well, he stayed back at the hotel&lt;br /&gt;And they sent us along as a surrogate band&lt;br /&gt;We're gonna find out where you folks really stand.&lt;br /&gt;&lt;br /&gt;Are there any queers in the theater tonight?&lt;br /&gt;Get them up against the wall!&lt;br /&gt;There's one in the spotlight, he don't look right to me,&lt;br /&gt;Get him up against the wall!&lt;br /&gt;That one looks Jewish!&lt;br /&gt;And that one's a coon!&lt;br /&gt;Who let all of this riff-raff into the room?&lt;br /&gt;There's one smoking a joint,&lt;br /&gt;And another with spots!&lt;br /&gt;If I had my way,&lt;br /&gt;I'd have all of you shot!</description>
            <author>alirezabayat</author>
            <pubDate>Tue, 22 Sep 2009 06:50:22 UT</pubDate>
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            <title>Darrell Lance Abbott</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3395095</link>
            <description>Darrell Lance Abbott, also known as &amp;quot;Diamond Darrell&amp;quot;, &amp;quot;Dimebag Darrell&amp;quot;, or simply &amp;quot;Dime&amp;quot; (August 20, 1966 – December 8, 2004) was an American guitarist. Best known as a founding member of the heavy metal bands Pantera and Damageplan, he also performed in the country music band Rebel Meets Rebel. &lt;br /&gt;Abbott frequently appeared in guitar magazines and in readers' polls, and wrote a long-running Guitar World magazine column, which has been compiled in the book Riffer Madness. Remembered for his amiable nature and rapport with fans, Abbot has been described by critic Greg Prato  as &amp;quot;one of the most influential stylists in modern metal.&amp;quot; On December 8, 2004, Abbott was murdered onstage during a Damageplan performance at the Alrosa Villa in Columbus, Ohio. &lt;br /&gt;Darrell was born to Carolyn and Jerry Abbott, a country musician and producer. He took up guitar when he was 12, winning a series of local guitar competitions, where in one he was awarded his first Dean ML. Coincidentally, his father had bought him a cherryburst finish Dean ML standard the morning before the competition, so he only had a few hours of playing time on it. These and another contest prize, his first Randall amplifier, are the two staples of his style and sound&lt;br /&gt;Abbott formed Pantera in 1981 with his brother Vinnie Paul on drums. The band began in a glam metal style, but by the late '80s showed a greater influence from thrash metal acts such as Slayer, Megadeth, and Metallica, as well as traditional metal bands such as Black Sabbath and Judas Priest. Pantera subsequently became a key formulator of the post-thrash subgenre of &amp;quot;groove&amp;quot; metal. It would not be until nine years after forming that Pantera saw its first piece of commercial success in its 1990 major label debut, Cowboys from Hell. Pantera's &amp;quot;groove&amp;quot; style came to fruition in its breakthrough album Vulgar Display of Power, released on February 25, 1992, which saw the replacement of the power metal falsetto vocals with a hardcore-influenced shouted delivery and heavier guitar sound. In 1994, Abbott dropped the nickname &amp;quot;Diamond Darrell&amp;quot; and assumed the nickname &amp;quot;Dimebag Darrell&amp;quot;. Pantera began to suffer from mounting tensions between band members in the mid-1990s, largely due to Phil Anselmo's rampant drug abuse; in 2003, the group broke up. Anselmo left the band for other projects, such as Superjoint Ritual and Down.&lt;br /&gt;After a year, brothers Vinnie and &amp;quot;Dimebag&amp;quot; formed Damageplan, a heavy metal band which also used the Pantera-style groove metal sound. The Abbott brothers recruited former Halford guitarist Pat Lachman on vocals, and Bob Zilla on bass. Damageplan released its debut album New Found Power in the United States on February 10, 2004, which debuted at number 38 on the Billboard 200, selling 44,676 copies in its first week. When writing music for the new group, &amp;quot;Dimebag&amp;quot; said that &amp;quot;we wanted to stretch out and expand our capabilities to their fullest.&amp;quot; &lt;br /&gt;Abbott was also an avid consumer of alcoholic beverages, as exemplified by his invention of a cocktail. The drink consists of one shot of &amp;quot;Crown Royal&amp;quot; whiskey, and generally with or accepted without an additional shot of Seagrams 7 whiskey, with a 'dash' of just enough Coca-Cola to darken the whiskey's color known as the &amp;quot;Black Tooth Grin&amp;quot;. &lt;br /&gt;On December 8, 2004, while performing with Damageplan at the Alrosa Villa in Columbus, Ohio, Abbott was shot onstage by an outraged Pantera fan named Nathan Gale. Abbott was shot five times, including once in the head, killing him instantly. Damageplan's drum technician, John &amp;quot;Kat&amp;quot; Brooks, and tour manager, Chris Paluska, were injured. Gale fired a total of fifteen shots, taking the time to reload once and remaining silent throughout the shooting. To avoid being injured or killed himself, Abbott's brother and bandmate, Vinnie Paul, was taken to the bar/kitchen on the other side of the club. Jeff &amp;quot;Mayhem&amp;quot; Thompson, the band's head of security, was also killed in the incident while engaging in hand-to-hand combat with Gale. Alrosa Villa employee Erin Halk was killed after charging Gale after running out of bullets, expecting Gale to reload more slowly than he actually did. Audience member Nathan Bray was killed while trying to perform CPR on Dimebag and Mayhem. The shooting took place coincidentally on the same day as the shooting of John Lennon, who had been shot 24 years before.&lt;br /&gt;Brooks scuffled with Gale onstage but was overpowered and taken hostage in a headlock position. Brooks was shot several times (once in the right hand, his right leg, and his right side) while attempting to get the gun away from Gale. Five police officers came in the front entrance, led by Officer Rick Crum, and moved toward the stage. Officer James D. Niggemeyer came in through the back door, behind the stage. Gale only saw the officers in front of the stage; he apparently never saw Officer Niggemeyer. When the hostage moved his head, Officer Niggemeyer killed Gale by shooting him in the face with a police-issued 12 gauge Remington 870 shotgun. Gale was found to have 35 rounds of ammunition remaining. Nurse and audience member Mindy Reece, 28, went to the aid of Abbott. She and another fan administered CPR until paramedics arrived, but were unable to revive him.&lt;br /&gt;In May 2005, Officer Niggemeyer testified before the Franklin County grand jury, which is routine procedure in Franklin County after a police shooting. The grand jury did not indict Niggemeyer, finding that his actions were justified. Niggemeyer received a commendation from the Ohio Peace Officer Training Commission for his outstanding police work in time of crisis as well as the National Rifle Association award as 2005 Law Enforcement Officer of the Year. The five other officers that were first on the scene received Ohio distinguished law enforcement medals for their efforts. In 2006 James Niggemeyer penned the foreword to a book written about the event A Vulgar Display of Power: Courage and Carnage at the Alrosa Villa.&lt;br /&gt;Early theories of motive suggested that Gale may have turned to violence in response to the breakup of Pantera, or the public dispute between Abbott and Pantera singer Phil Anselmo, but these were later ruled out by investigators. Another theory was that Gale believed Abbott had stolen a song Gale wrote. In the A Vulgar Display Of Power book, several of Gale's personal writings, given to the author by Gale's mother, suggest that the gunman was not angry about Pantera's breakup or about a belief that Pantera had &amp;quot;stolen songs&amp;quot;; instead, the documents suggest that Gale's paranoid schizophrenia caused delusions that the band could read his mind, and that they were &amp;quot;stealing&amp;quot; his thoughts and laughing at him.&lt;br /&gt;Abbott's grave is located at the Moore Memorial Gardens Cemetery in Arlington, Texas. He is buried alongside his mother. He was buried with Eddie Van Halen's Charvel Hybrid VH2 (also known as Bumblebee) - Van Halen's black and yellow Frankenstrat that was the actual guitar pictured with Eddie on the cover of the album Van Halen II - because Dimebag had asked for one in 2004 before he was shot.&lt;br /&gt;&lt;br /&gt;&lt;img class=&quot;smiley&quot; src=&quot;http://v.netlogstatic.com/v4.00/2468//s/i/smilies/rock.gif&quot; alt=&quot;:)&quot; /&gt;</description>
            <author>alirezabayat</author>
            <pubDate>Thu, 17 Sep 2009 04:32:00 UT</pubDate>
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            <title>Clifford Lee Burton</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3392099</link>
            <description> Clifford Lee Burton (February 10, 1962 – September 27, 1986) was an American virtuoso bassist best known as the bass player of American heavy metal band Metallica. As a bassist he made heavy use of distortion and effects (several of which are usually associated with non-bass guitars), best exemplified on his signature piece, &amp;quot;(Anesthesia) Pulling Teeth&amp;quot;.&lt;br /&gt;&lt;br /&gt;Burton's early influence was essential in creating the unique musical style for which Metallica became famous. Burton joined the band in 1982 and performed on their debut album, Kill 'Em All. Burton performed on two more Metallica albums, Ride the Lightning and Master of Puppets, both of which met with major commercial and critical success.&lt;br /&gt;On September 27, 1986, Burton was killed when the band's tour bus skidded and crashed.&lt;br /&gt;Burton was inducted posthumously into the Rock and Roll Hall of Fame with Metallica on April 4, 2009. His father, Ray Burton, gave a speech on his son's behalf.&lt;br /&gt;Burton was born on February 10, 1962, in Alameda County, California , to Jan and Ray Burton. He had two elder siblings, Scott and Connie. He was raised in the San Francisco Bay Area. Burton's interest in music began when his father introduced him to classical music and he began taking piano lessons.&lt;br /&gt;In his teenage years, Burton's interest in music switched from classical to jazz and eventually heavy metal.He began playing the bass at age 13, after the death of his brother which caused him to have a disliking for drug use.His parents quoted him as saying, &amp;quot;I'm going to be the best bassist for my brother.&amp;quot;He practiced up to six hours per day.Along with classical and jazz, Burton's other early influences varied from southern rock, country and blues.&lt;br /&gt;While still a student at Castro Valley High School, Burton formed his first band. Called &amp;quot;EZ-Street&amp;quot;, the band took its name from a Bay Area topless bar. Other members of EZ Street included future Faith No More guitarist &amp;quot;Big&amp;quot; Jim Martin and future Faith No More and Ozzy Osbourne drummer Mike Bordin. Burton and Martin continued their musical collaboration after becoming students at Chabot College in Hayward, California. Their second band, &amp;quot;Agents of Misfortune&amp;quot;, entered the Hayward Area Recreation Department's &amp;quot;Battle of the Bands&amp;quot; contest in 1981. Their audition was recorded on video and features some of the earliest footage of Burton's trademark playing style. The video also shows Burton playing some parts of what would soon be two Metallica songs: his signature bass solo, &amp;quot;(Anesthesia) Pulling Teeth,&amp;quot; and the chromatic intro to &amp;quot;For Whom the Bell Tolls&amp;quot;.Burton joined his first major band, Trauma, in 1982.&lt;br /&gt;&lt;strong&gt;Metallica Years &lt;/strong&gt;&lt;br /&gt;In 1982, Trauma traveled to Los Angeles to perform at the Whisky a Go Go. Among those in attendance were James Hetfield and Lars Ulrich, both members of Metallica, which had formed the previous year. Upon hearing, as Hetfield described it, &amp;quot;this amazing shredding&amp;quot; (which happened to be &amp;quot;(Anesthesia) Pulling Teeth&amp;quot&lt;img class=&quot;smiley&quot; src=&quot;http://v.netlogstatic.com/v4.00/2468//s/i/smilies/wink.gif&quot; alt=&quot;:)&quot; /&gt;, the two went in search of what they thought was an amazing guitar player. When they learned that what they had heard was, in fact a bass solo by Burton they decided to recruit him for their own band. They asked him to replace departed bassist Ron McGovney, and since Burton thought that Trauma was &amp;quot;starting to get a little commercial,&amp;quot; he agreed. The idea of having to move to Los Angeles did not sit well with him, and said he would join only if the band would relocate from Los Angeles to his native San Francisco Bay Area. Metallica, eager to have Cliff in the band left their origin of Los Angeles to make a home in San Francisco, California. &lt;br /&gt;Burton's first recording with Metallica was the Megaforce Demo. A demo tape the band had made prior to Burton's joining, No Life 'Til Leather, managed to come into the hands of John Zazula, owner of Megaforce Records.[5] The band relocated to Old Bridge, New Jersey - and quickly secured a record deal with Zazula's label. Their first album, Kill 'Em All, features Burton's famous solo piece, &amp;quot;(Anesthesia) Pulling Teeth,&amp;quot; which showcased his use of effects, such as a wah pedal (until then the wah pedal had been the near-exclusive domain of six-string guitarists, with the exception of Geezer Butler on Black Sabbath's first album, and occasionally ultra-progressive bassists such as Chris Squire).&lt;br /&gt;The band's second album, Ride the Lightning, showcased the band's increasing musical growth. Burton's songwriting abilities were growing, and he received credit on six of the album's eight songs. Burton's playing style and use of effects is showcased on two tracks: the chromatic intro to &amp;quot;For Whom the Bell Tolls,&amp;quot; and the &amp;quot;lead bass&amp;quot; on &amp;quot;The Call of Ktulu.&amp;quot;&lt;br /&gt;The increase of musicianship on Ride the Lightning caught the attention of major record labels. Metallica was signed to Elektra, and began working on their third album, Master of Puppets, which is considered by most critics to be a landmark album in both thrash and the whole of metal. Burton is featured heavily on several tracks, most notably the instrumental &amp;quot;Orion,&amp;quot; which again featured Burton's lead bass playing style. The album also contained Burton's favorite Metallica song, &amp;quot;Master of Puppets.&amp;quot; Master of Puppets was the band's commercial breakthrough, but it would be Burton's final album with Metallica.&lt;br /&gt;Burton's final performance was in Stockholm, Sweden on September 26, 1986. One of Burton's final performances with the band is available for free to download from Metallica's website. &lt;br /&gt;&lt;strong&gt;Death&lt;/strong&gt;&lt;br /&gt;Memorial stone near the crash site.&lt;br /&gt;During the European leg of the Damage Inc. tour in support of Master of Puppets, the band complained that the sleeping cubicles on their tour bus were unsatisfactory and uncomfortable. To decide who was getting the pick of the bunks, Kirk Hammett and Cliff drew cards. On the evening of September 26, 1986, Cliff had won the game with an Ace of Spades. He was asleep when at several minutes before 7 am (on the 27th), according to the driver, the bus ran over a patch of black ice, skidded off of the road (the E4, 2 miles north of Ljungby) , and flipped onto the grass in Ljungby Municipality, near Dörarp in rural southern Sweden. Burton was thrown through the window of the bus, which fell on top of him causing his death. James Hetfield later stated that he first believed the bus flipped because the driver was drunk, claiming his breath smelled of alcohol after the accident. Hetfield also stated that he himself walked long distances down the road looking for black ice and found none. Local freelance photographer, Lennart Wennberg, who attended the crash scene the following morning, when later asked in an interview about the likelihood that black ice caused the accident, said it was 'out of the question', stating that the road was dry and the temperature around two degrees Celsius (37 degrees Fahrenheit). This was also confirmed by the police who found no ice on the road. Ljungby detective, Arne Pettersson was reported in a local newspaper to have said the pattern of the tracks at the accident site were exactly like ones seen when drivers fall asleep at the wheel. However the driver stated under oath that he had slept during the day and was fully rested; his testimony was confirmed by the driver of the second tour bus .The driver was determined not at fault for the accident and no charges were brought against him.[ &lt;br /&gt;Burton was buried in San Francisco. At the ceremony, the instrumental &amp;quot;Orion&amp;quot; from the album Master of Puppets was played. Burton hadn't played the song live, and Metallica did not perform it until June 3, 2006 at Rock Am Ring Festival, Nurburgring, DEU (when they performed the entire album to mark the 20th anniversary of its release). Until then, only sections of the song had been used as part of their performance. During the 1990s, Burton's successor, Jason Newsted, often used the bass line as part of a medley.&lt;br /&gt;&lt;strong&gt;Influence&lt;/strong&gt;&lt;br /&gt;Burton cited bass players like Geezer Butler, Chris Squire, John Paul Jones, Mike Rutherford, Pete Way, John Entwistle, Phil Lynott, John Deacon, Sid Vicious, Geddy Lee, Sting, Lemmy, and Stanley Clarke as influences. He has also cited guitar players such as Ritchie Blackmore, Jimmy Page, Ulrich Roth, Jimi Hendrix, Randy Rhoads, and Tony Iommi as influences. Surprisingly to many fans, Burton did not cite Iron Maiden bassist Steve Harris as an influence, which is strange since the band has often cited Iron Maiden as a major influence on a bulk of their work. &lt;br /&gt;James Hetfield has admitted that Burton's influence was highly responsible for much of Metallica's early music and image. A classically trained pianist, Burton used his large knowledge of theory to add to the band's sound, both through his bass work and teaching Hetfield and Hammett how to theorize and harmonize. Hetfield said that: &amp;quot;without Cliff, we wouldn't be where we are today.&amp;quot; &lt;br /&gt;Burton's interest in the works of horror writer H. P. Lovecraft resulted in two Metallica songs, &amp;quot;The Call of Ktulu&amp;quot; and &amp;quot;The Thing That Should Not Be.&amp;quot; The band has also noted that their love of The Misfits, Samhain, and all things involving Glenn Danzig came directly from Burton. This influence has persisted ever since, and when Metallica toured the USA in the summer of 1994, Danzig was one of the opening bands. On a few occasions, he came out on stage with Metallica, providing vocals when they performed Misfits' songs. &lt;br /&gt;&lt;strong&gt;Tributes&lt;/strong&gt;&lt;br /&gt;After Burton's death, Metallica released the tribute documentary Cliff 'em All, a video retrospective of Burton's time in the band. It is a collection of live performance footage shot by fans, some professional filming and TV shots that were never used, and some personal photos. Metallica's first album of original material after Burton's death, …And Justice for All, contained Burton's last writing credit, the mostly instrumental track &amp;quot;To Live Is to Die&amp;quot;. Metallica sometimes plays the middle part of &amp;quot;To Live Is To Die&amp;quot; at a slower tempo as a tribute for Cliff Burton.Burton wrote the single stanza of lyrics for the song, which Hetfield ended up reciting:&lt;br /&gt;&amp;quot;When a man lies, he murders some part of the world&lt;br /&gt;These are the pale deaths which men miscall their lives&lt;br /&gt;All this I cannot bear to witness any longer&lt;br /&gt;Cannot The Kingdom of Salvation take me home?&amp;quot;&lt;br /&gt;&amp;quot;Cannot The Kingdom of Salvation take me home&amp;quot; is written on Cliff Burton's memorial stone.&lt;img src=&quot;http://en.netlogstatic.com/p/oo/025/836/25836188.jpg&quot; /&gt;&lt;img src=&quot;http://en.netlogstatic.com/p/oo/025/836/25836194.jpg&quot; /&gt;&lt;br /&gt;A memorial for Burton in Ljungby, Sweden&lt;br /&gt;The most well known non-Metallica tribute to Burton is the song &amp;quot;In My Darkest Hour&amp;quot; by contemporary legendary thrash metal band Megadeth. According to Megadeth leader Dave Mustaine, after hearing of Burton's death, he sat down and wrote the music for the song in one sitting. The lyrics, however, are unrelated to Burton's death. The band's frontman Dave Mustaine was Metallica's lead guitarist in the early days and knew Burton very well, and they maintained good relations after Mustaine parted with the band in 1983, just before the release of &amp;quot;Kill Em All&amp;quot;. Mustaine was quoted as saying the song was inspired by Burton's passing. He claimed that neither Hetfield nor Ulrich had informed him of Burton's death and he only found out when Metallica's manager called him. &lt;br /&gt;On October 3, 2006 a memorial stone was unveiled in Sweden near the scene of the fatal crash.&lt;br /&gt;Contemporary thrash metal band Anthrax dedicated their Among the Living album to him, as did Metal Church with The Dark.&lt;br /&gt;On April 4, 2009, Cliff Burton was posthumously inducted into the Rock &amp;amp; Roll Hall of Fame, with the rest of Metallica. During the ceremony, the induction was accepted by Cliff's father, Ray Burton, who shared the stage with the band and mentioned that Cliff's mother was actually Metallica's biggest fan.&lt;br /&gt;A biography, To Live Is To Die: The Life And Death Of Metallica's Cliff Burton, written by Joel McIver, was published by Jawbone Press in June 2009. Metallica's lead guitarist Kirk Hammett provided the foreword.</description>
            <author>alirezabayat</author>
            <pubDate>Tue, 15 Sep 2009 06:58:27 UT</pubDate>
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            <title>My dying Bride</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3392080</link>
            <description>My Dying Bride are an English doom metal band formed in 1990. To date, My Dying Bride has released one demo, three EPs, several singles, ten full-length studio albums, one box set, four compilation albums, one live album, one live CD/DVD release, and several video releases. The band released its tenth studio album, For Lies I Sire, on March 23, 2009. My Dying Bride, along with bands such as Anathema and Paradise Lost, are one of the forerunners of the death/doom metal genre. &lt;img class=&quot;smiley&quot; src=&quot;http://v.netlogstatic.com/v4.00/2468//s/i/smilies/smile.gif&quot; alt=&quot;:)&quot; /&gt;</description>
            <author>alirezabayat</author>
            <pubDate>Tue, 15 Sep 2009 06:37:29 UT</pubDate>
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            <title>Jimmy page</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3374562</link>
            <description>James Patrick Page OBE (born 9 January 1944) is an English guitarist, composer and record producer. He began his career as a studio session guitarist in London and was subsequently a member of The Yardbirds from 1966 to 1968, after which he founded the English rock band Led Zeppelin.&lt;br /&gt;Page has been described as &amp;quot;unquestionably one of the all-time most influential, important, and versatile guitarists and songwriters in rock history&amp;quot;. In 2003, Rolling Stone magazine ranked Page #9 in its list of the 100 Greatest Guitarists of All Time. He has been inducted into the Rock and Roll Hall of Fame twice, once as a member of The Yardbirds (1992) and once as a member of Led Zeppelin (1995).&lt;br /&gt;Page was born to parents James and Patricia Page in the West London suburb of Heston, which today forms part of the London Borough of Hounslow. His father was an industrial personnel manager and his mother was a doctor's secretary. In 1952 they moved to Feltham, and later again to Miles Road, Epsom which is where Page came across his first guitar. &amp;quot;I don't know whether [the guitar] was left behind by the people [in the house] before [us], or whether it was a friend of the family's - nobody seemed to know why it was there.&amp;quot; First playing the instrument at the age of thirteen years, he took a few lessons in nearby Kingston, but he was largely self-taught. Among his early influences were rockabilly guitarists Scotty Moore and James Burton, who both played on recordings made by Elvis Presley. Hearing the Elvis Presley song &amp;quot;Baby Let's Play House&amp;quot; is cited by Page as being his inspiration to take up playing the guitar.His first guitar was a second hand 1959 Futurama Grazioso, which was later replaced by a Telecaster.&lt;br /&gt;Page's musical tastes included skiffle (a popular English music genre of the time) and acoustic folk playing, particularly that of Bert Jansch and John Renbourn, and the blues sounds of Elmore James, B.B. King, Otis Rush, Buddy Guy, Freddie King and Hubert Sumlin. &amp;quot;Basically, that was the start: a mixture between rock and blues.&amp;quot; At the age of 13, Page appeared on Huw Wheldon's All Your Own talent quest programme in a skiffle quartet, one performance of which aired on BBC TV in 1957. The group played &amp;quot;Mama Don't Want To Skiffle Anymore&amp;quot; and another very American-flavored song, &amp;quot;In Them Ol' Cottonfields Back Home&amp;quot;. Televised Contest. When asked by Wheldon what he wanted to do after schooling, Page said, &amp;quot;I want to do biological research&amp;quot; to find a cure for &amp;quot;cancer, if it isn't discovered by then&amp;quot;.&lt;br /&gt;In an interview with Guitar Player magazine, Page stated that &amp;quot;there was a lot of busking in the early days, but as they say, I had to come to grips with it, and it was a good schooling.&amp;quot; Page would take a guitar to school each day and have it confiscated and handed back to him at 4:00 P.M. Although he had an interview for a job as a laboratory assistant, he ultimately chose to leave Danetree Secondary School, West Ewell, to pursue music instead.&lt;br /&gt;Initially, Page had difficulty finding other musicians with whom he could play on a regular basis. &amp;quot;It wasn't as though there was an abundance. I used to play in many groups... anyone who could get a gig together, really.&amp;quot; Following stints backing recitals by Beat poet Royston Ellis at the Mermaid Theatre between 1960-61,and singer Red E. Lewis, he was asked by singer Neil Christian to join his band, The Crusaders, after Christian had seen a fifteen-year-old Page playing in a local hall. Page toured with Christian for approximately two years and later played on several of his records, including the November 1962 single, &amp;quot;The Road to Love&amp;quot;.&lt;br /&gt;During his stint with Christian, Page fell seriously ill with glandular fever (infectious mononucleosis) and couldn't continue touring. While recovering, he decided to put his musical career on hold and concentrate on his other love, painting. He enrolled at Sutton Art College in Surrey. As he explained in 1975:&lt;br /&gt;[I was] travelling around all the time in a bus. I did that for two years after I left school, to the point where I was starting to get really good bread. But I was getting ill. So I went back to art college. And that was a total change in direction. That's why I say it's possible to do. As dedicated as I was to playing the guitar, I knew doing it that way was doing me in forever. Every two months I had glandular fever. So for the next 18 months I was living on ten dollars a week and getting my strength up. But I was still playing. &lt;img class=&quot;smiley&quot; src=&quot;http://v.netlogstatic.com/v4.00/2468//s/i/smilies/celebrate.gif&quot; alt=&quot;:)&quot; /&gt; &lt;img class=&quot;smiley&quot; src=&quot;http://v.netlogstatic.com/v4.00/2468//s/i/smilies/rock.gif&quot; alt=&quot;:)&quot; /&gt;</description>
            <author>alirezabayat</author>
            <pubDate>Sat, 05 Sep 2009 06:15:38 UT</pubDate>
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            <title>Metal God</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3368399</link>
            <description>Robert John Arthur Halford (born 25 August 1951) is an English singer-songwriter, best known as the lead vocalist for the heavy metal band Judas Priest. Halford has a nearly four octave vocal range, having recorded notes from D2 to C♯6. He is one of the most respected singers of heavy metal and rock music with a quasi-operatic vocal style and high-pitched screams. He has been nicknamed &amp;quot;Metal God&amp;quot; as a tribute to his influence on metal, after the Judas Priest song of the same name from 1980's British Steel He currently lives in Phoenix, Arizona, US, though he also maintains residences in San Diego, California and Amsterdam, Netherlands, as well as a home in his native Walsall, United Kingdom.</description>
            <author>alirezabayat</author>
            <pubDate>Tue, 01 Sep 2009 09:56:01 UT</pubDate>
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            <title>Chuck Schuldiner (Death Hero Bio)</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3357619</link>
            <description> Charles Michael &amp;quot;Chuck&amp;quot; Schuldiner (May 13, 1967 – December 13, 2001) was an American singer, songwriter and guitarist.&lt;br /&gt;Schuldiner was the singer, songwriter, rhythm and lead guitarist of the band Death, which he founded in 1983, initially under the name Mantas. He is often referred to as &amp;quot;The Father of Death Metal&amp;quot;, and his obituary in the January 5, 2002 issue of UK's Kerrang! magazine stated that &amp;quot;Chuck Schuldiner was one of the most significant figures in the history of metal.&amp;quot; Schuldiner himself was modest about his part in the history of death metal, noting &amp;quot;I don’t think I should take the credits for this death metal stuff. I’m just a guy from a band, and I think Death is a metal band&lt;br /&gt;Chuck Schuldiner was born on May 13, 1967 on Long Island, New York to a Jewish father of Austrian descent and a mother from the American South, a convert to Judaism; both his parents were teachers. In 1968, his family moved to Florida. Chuck was the youngest of three children. He had an older brother named Frank and an older sister named Bethann.&lt;br /&gt;Schuldiner started playing guitar at the age of 9. His 16 year old brother had just been killed in an accident and his parents bought him a guitar, thinking it would help with his grief. He took classical lessons for less than a year in which his teacher taught him &amp;quot;Mary had a Little Lamb&amp;quot;, which he didn't like very much, and almost stopped completely, until his parents saw an electric guitar at a yard sale and bought it for him. The young Schuldiner immediately took to the instrument. After getting amps, he never stopped playing, writing and teaching himself. Schuldiner was known to spend the weekend in the garage or his room playing his guitar, but was limited to three hours on weekdays when school was in session. Schuldiner first played in public in his early teens.&lt;br /&gt;Schuldiner was originally inspired by Iron Maiden, Kiss and Billy Idol, among others. He was particularly interested in the metal movement known as NWOBHM - New Wave of British Heavy Metal - and cited bands of that genre among his favorites, He frequently cited French band Sortilège as his personal favorite metal group. Slayer, Possessed, Mercyful Fate/King Diamond and Metallica were later influences he would apply more to his own band. Later in his career Schuldiner cited progressive metal bands such as Watchtower and Queensrÿche frequently as influences. Official Schuldiner website Empty Words quotes Chuck's mother making the claim that he enjoyed all forms of music except country and rap. He also apparently particularly enjoyed jazz and classical music in addition to metal and British alternative acts such as Lush.&lt;br /&gt;Although Schuldiner apparently did do well in school, it bored him and he eventually dropped out. He did regret this later, however.&lt;br /&gt;Schuldiner was not afraid to take on controversial lyrical subjects such as the anti-drug sentiments of &amp;quot;Living Monstrosity&amp;quot; and discussion with those who choose abortion in &amp;quot;Altering the Future&amp;quot;.&lt;br /&gt;Musical career&lt;br /&gt;Schuldiner formed Death as Mantas in 1983. Original members were Schuldiner (guitar), Rick Rozz (guitar) and Kam Lee (drums and vocals). In January 1986, Schuldiner moved to Toronto and temporarily joined the Canadian band Slaughter on guitar. However, he quickly returned to continue the formation of Death.&lt;br /&gt;There were several lineup changes, however with Chris Reifert he eventually released his first Death album, titled Scream Bloody Gore, in 1987. He continued with 1988's Leprosy with the line-up of former Mantas guitarist Rick Rozz and rhythm section Terry Butler on bass and Bill Andrews on drums, and 1990s Spiritual Healing, where guitarist James Murphy had replaced the fired Rozz.&lt;br /&gt;After Spiritual Healing, Schuldiner stopped working with full time band members and instead worked only with studio and live venue musicians due to bad relationships with Death's previous rhythm section and guitarists. This earned Schuldiner something of a 'perfectionist' reputation in the metal community. Schuldiner had also fired his manager Eric Greif but re-hired him before the recording of his next, influential release.&lt;br /&gt;Death's breakthrough album, Human saw the band evolving to a more technical and progressive style, in which Schuldiner displayed his guitar skills more than ever. He continued in this style (and continued the success of the band) with 1993s Individual Thought Patterns, 1995s Symbolic, and finally The Sound of Perseverance in 1998.&lt;br /&gt;Schuldiner played guitar in the project Voodoocult on the album Jesus Killing Machine in 1994. He folded Death after this to form a new band called Control Denied, and released The Fragile Art of Existence in 1999. Schuldiner was also asked to be one of the many guest vocalists on Dave Grohl's 2001 Probot project by Grohl himself. Grohl even campaigned to raise funds to help Schuldiner pay medical bills for the brain cancer that would eventually take his life. Schuldiner succumbed to the disease before any collaboration could happen. Grohl, in tears, in an interview over Schuldiner's death, said that &amp;quot;Chuck died for making the right decisions in life. That's just... that's just not fair.&amp;quot;&lt;br /&gt;Battle with cancer&lt;br /&gt;In May 1999, Schuldiner experienced pain in his upper neck, which he initially thought was a pinched nerve. He consulted with a chiropractor followed by a massage therapist/acupuncturist who recommended an MRI Exam. He was correct about the pinched nerve; unfortunately, it was being caused by a tumor. On his birthday, May 13, 1999, Schuldiner was diagnosed with pontine glioma, a type of brain cancer that invades the brain stem and immediately underwent radiation therapy.&lt;br /&gt;In October 1999, Schuldiner’s family announced that the tumor had necrotized and that he was on the way to recovery. In January 2000, Schuldiner underwent surgery to remove what remained of his tumor. The operation was a success, however, the Schuldiner family was struggling financially. The total costs of the operations would come to $70,000, a price the Schuldiner family could not afford. Many fundraisers, auctions, and benefit concerts took place to help cover the costs. The money began to come in as the metal community, in total shock, realized that Schuldiner's life was in danger. The metal community and the Schuldiner family showed deep concern because Schuldiner could lose his life due to lack of funds. The doctors who removed his tumor called the original diagnosis of pontine glioma a misdiagnosis.&lt;br /&gt;Schuldiner continued to work on his music, continuing his work with Control Denied. About two years after his original diagnosis, in May 2001, the cancer returned and Schuldiner fell ill again. He was originally denied surgery (which he needed immediately) due to lack of funds. A press release called for support from everyone, including fellow artists. Jane Schuldiner urged all who read the statements about Schuldiner and his illness to go out and get insurance, showing her frustration in the American system. Schuldiner had gotten medical insurance after his first surgery, but the insurer had refused to pay because the tumor existed before he had gotten the insurance. Many artists, including Kid Rock, Korn and Red Hot Chili Peppers, got together in Summer 2001 to auction off personal items with the funds assisting Schuldiner's medical expenses. This was covered by MTV Matt Heafy, vocalist and guitarist for Trivium has also stated that the band had played a benefit show for Schuldiner while he was in the hospital in their days as a local band.. Schuldiner received a chemotherapy drug called vincristine to help with his therapy. Like most drugs used in the treatment of cancer, the side effects were harsh and weakened Chuck greatly. In late October/early November, Schuldiner became ill with pneumonia.&lt;br /&gt;He died on December 13, 2001, at approximately 4 p.m. Eastern Standard Time. He was buried in Tampa, Florida on December 18, 2001 and MTV reported that famed musicians including Mike Patton, Dimebag Darrell (who was killed almost 3 years later), Glen Benton, Ville Valo, Trey Azagthoth and Max Cavalera, along with all of the former and active members of Death, attended his funeral.&lt;br /&gt;Legacy&lt;br /&gt;His mother, Jane Schuldiner, handles his legacy. She frequently interacts with Schuldiner's fans and has stated many times that she enjoys his music. Schuldiner's sister Beth seems to keep track of his recordings. Beth has a son named Christopher, who also plays guitar and has all of Schuldiner's guitars except his first one, which his mother keeps. BC Rich also released a statement in their 2008 catalog stating that Chuck's signature model Stealth will be available for purchase.&lt;br /&gt;Although Schuldiner never married or had children, he dated a woman named Kim Robinson for several years. They had a home and two dogs in Altamonte Springs just outside of Orlando. Schuldiner built a studio inside the garage where many of his songs such as Crystal Mountain were inspired. Their home office was the site of the Metal Crusade newsletter and fan club that they ran together under the pseudonym, Dan Robinson. She also never married after his death.&lt;br /&gt;Despite his passing, his legacy lives on through his fans and his recordings. However, a legal battle is in progress on the settlement of the rights to the partially completed second Control Denied album. Part of these incomplete recordings were released in the Zero Tolerance two-part compilation of Death's early demos.&lt;br /&gt;Tribute concerts commonly occur to this day for his legacy, often coordinated or funded by his mother and family (the most recent was in December 2007). Most recently, former Death guitarist (and brain cancer survivor) James Murphy announced he will release a Chuck Schuldiner tribute album to commemorate his lasting mark on the metal community. Chuck's family is also offering support for Murphy's effort.&lt;br /&gt;Beliefs&lt;br /&gt;Chuck once described himself as &amp;quot;a lover of life&amp;quot;, &amp;quot;friendship&amp;quot;, and &amp;quot;animals.&amp;quot; &amp;quot;I would like to live forever, if it was possible&amp;quot;, he once said in an interview. He commonly spoke out against artists who were &amp;quot;out of control&amp;quot;, garnering negative attention to the death metal scene. Chuck openly condemned and disavowed stereotypes of metal musicians as being harmful to animals, people, or being &amp;quot;anti-life.When asked about his opinions regarding an afterlife, Chuck responded &amp;quot;I don't know&amp;quot;, but elaborated that he believed &amp;quot;this is hell&amp;quot;, and that demons are in people, as they &amp;quot;create evil.&amp;quot; Although his parents are both Jewish, Schuldiner did not go through any formal religious training. In the documentary, &amp;quot;666 At Calling Death&amp;quot;, he was asked whether Satanism was a part of his music. He replied, &amp;quot;Not at all. I really don't want to involve any type of religious theme in our music. I think that's more of a personal thing. Yeah, I'm not a Satanist and I definitely don't put that into our music. No purpose. I was really young when the band first started out. I was never really into writing Satanic lyrics at all, personally. We did write gore lyrics, but it was more like kind of tongue-in-cheek, horror-movie type level. Nothing like encouraging people to go out and hurt themselves or anything stupid like that. It's pure fantasy-movie type, scary stuff. And then, I just really got into writing about reality, which is what we all have to deal with.&amp;quot; Schuldiner designed the Death logo and its various incarnations during the length of his career. In 1991, before the release of Human, he cleaned up the logo taking out more intricate details and the &amp;quot;T&amp;quot; in the logo was swapped from an inverted Cross to a more regular looking &amp;quot;T&amp;quot;, one reason being to quash any implication of religion. Chuck was also openly against hard drugs; he is quoted as saying, “I’ve tripped several times. That’s all because I don’t like the hard drugs. And my only drugs are alcohol and grass.”</description>
            <author>alirezabayat</author>
            <pubDate>Tue, 25 Aug 2009 05:01:19 UT</pubDate>
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            <title>Opeth Bio</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3328670</link>
            <description> Opeth is a Swedish heavy metal band from Stockholm, formed in 1990. While the band has been through several personnel changes, singer, guitarist, and songwriter Mikael Åkerfeldt has remained Opeth's driving force since joining promptly after its inception.&lt;br /&gt;&lt;br /&gt;While firmly rooted in Scandinavian death metal, Opeth has consistently incorporated influence by progressive music, folk, blues rock and jazz into their usually-lengthy compositions. Many compositions include acoustic guitar interludes and strong dynamic shifts, as well as both growling and clean vocals. Though they rarely toured in support of their first four albums, Opeth conducted their first world tour after the 2001 release of Blackwater Park.&lt;br /&gt;&lt;br /&gt;Opeth has released nine studio albums, two live albums, two box sets, and two DVDs. The band released its debut album Orchid in 1995, but did not experience American commercial success until the 2008 release of their ninth studio album, Watershed, which peaked at number twenty-three on the Billboard 200, and topped the Finnish albums chart in its first week of release.&lt;br /&gt;&lt;br /&gt;Åkerfeldt (pictured) and Isberg decided they would carry on with the band after most of the members had gone alternate ways.&lt;br /&gt;Opeth was originally formed as a death metal band in the fall of 1990 in Stockholm, Sweden by vocalist David Isberg.  Isberg asked former Eruption band member Mikael Åkerfeldt to join the band as a bassist. When Åkerfeldt showed up to practice the day after Isberg invited him, it became clear that Isberg had not told the band members, including the band's current bassist, that Åkerfeldt would be joining. The ensuing argument led to all members but Isberg and Åkerfeldt leaving to form a new project. The band name was derived from the word &amp;quot;Opet&amp;quot;, taken from the Wilbur Smith novel Sunbird. In this novel, Opet is the name of a (fictional) Phoenician city in South Africa whose name is translated as &amp;quot;City of the Moon&amp;quot; in the book; the name might be a reference to Opet Festival or the Egyptian goddess Taweret, also known as Opet.&lt;br /&gt;Isberg and Åkerfeldt recruited drummer Anders Nordin, bassist Nick Döring, and guitarist Andreas Dimeo. Unsatisfied with the band's slow progress, Döring and Dimeo left the band after their first performanceand were replaced by guitarist Kim Pettersson and bassist Johan DeFarfalla. After the next show, DeFarfalla left Opeth to spend time with his girlfriend in Germany, and was replaced by Åkerfeldt's friend, bassist Peter Lindgren. Lead guitarist Pettersson left following the band's next performance, and Lindgren switched to guitar. After losing interest in the band, Isberg quit in 1992 to join Liars in Wait. &lt;br /&gt;With three members in the band, Åkerfeldt took over vocal duties, and the trio spent the next year writing and rehearsing new material. The group began to rely less on the blast beats and aggression typical of death metal, and incorporated acoustic guitars and guitar harmonies into their music; developing the core sound of Opeth. Stefan Guteklint joined on bass in 1993, but was dismissed by the band after signing its first record deal with Candlelight records in 1994. The band initially employed former member DeFarfalla as a session bassist for the recording, and he went on to join on a full-time basis following the release of Opeth's debut album in 1995. &lt;br /&gt;&lt;br /&gt;Orchid, Morningrise, and My Arms, Your Hearse (1994–1998)&lt;br /&gt;Opeth recorded its debut album, Orchid, with producer Dan Swanö in April 1994. Due to distribution problems with the newly formed Candlelight Records, the album was not released until May 15, 1995, and only in Europe. Orchid tested the boundaries of traditional death metal, featuring acoustic guitars, piano, and clean vocals. Allmusic called Orchid &amp;quot;brilliant&amp;quot;, &amp;quot;startlingly unique&amp;quot;, and &amp;quot;a far-beyond-epic prog/death monstrosity exuding equal parts beauty and brutality&amp;quot;.&lt;br /&gt;After a few live shows in the United Kingdom, Opeth returned to the studio in March 1996 to begin work on a second album, again produced by Dan Swanö. Morningrise was released in Europe on June 24, 1996. With only five songs and lasting 66 minutes, the album featured Opeth's longest song, the twenty-minute &amp;quot;Black Rose Immortal&amp;quot;. Morningrise was a huge success, with Allmusic giving the album four stars. Opeth toured the UK in support of Morningrise, followed by a 26-date Scandinavian tour with Cradle of Filth. While on tour, Opeth attracted the attention of Century Media records, who signed the band and released the first two albums internationally in 1997.&lt;br /&gt;After the tour, Åkerfeldt and Lindgren dismissed DeFarfalla for personal reasons without the consent of Nordin. When Åkerfeldt informed Nordin, who was on a vacation in Brazil, Nordin decided to leave the band and remain in Brazil for personal reasons. Former Amon Amarth drummer Martin Lopez responded to a newspaper ad placed by Åkerfeldt and joined Opeth in 1997. Lopez made his debut with Opeth playing on a cover version of Iron Maiden's &amp;quot;Remember Tomorrow&amp;quot;, which was included on the album A Call to Irons: A Tribute to Iron Maiden. ith a larger recording budget from Century Media, Opeth began work on its third album, with noted Swedish producer Fredrik Nordström, at Studio Fredman in August 1997. The band added bassist Martin Mendez shortly before recording, but due to time constraints, Åkerfeldt played bass on the album.[  My Arms, Your Hearse was released on August 18, 1998, to critical acclaim. As Opeth's first international release, the album exposed the band to a wider global audience. My Arms, Your Hearse marked the beginning of a shift in the band's sound, focusing less on guitar harmonies and more heavily on progressive metal riffs.&lt;br /&gt;Still Life and Blackwater Park (1999–2001)&lt;br /&gt;In 1999, the ownership of Candlelight Records changed hands, with owner and friend of the band Lee Barrett leaving the company. Opeth signed with UK label Peaceville Records in Europe, which was distributed by Music For Nations. Opeth reserved time at Studio Fredman to begin work on its next album, but recording was postponed while the studio was relocated. Due to time constraints, the band was able to rehearse only twice before entering the studio. Delays with the album's artwork pushed the release back an additional month, and Still Life was released on October 18, 1999  Due to problems with the band's new distribution network, the album was not released in the US until February 2001. Still Life was the first album recorded with Mendez, and also the first Opeth album to bear any kind of caption on the front cover upon its initial release, including the band's logo. Allmusic called Still Life a &amp;quot;formidable splicing of harsh, often jagged guitar riffs with graceful melodies&amp;quot;. Still Life is a concept album, as explained by Åkerfeldt: &amp;quot;The main character is kind of banished from his hometown because he hasn't got the same faith as the rest of the inhabitants there. The album pretty much starts off when he is returning after several years to hook up with his old &amp;quot;babe&amp;quot;. The big bosses of the town know that he's back... A lot of bad things start happening.&amp;quot; &lt;br /&gt;Following a few live dates in Europe, Opeth returned to Studio Fredman to begin work on its next album, with Porcupine Tree's Steven Wilson producing. The band sought to recreate the recording experience of Still Life, and again entered the studio with minimal rehearsals, and no lyrics written. &amp;quot;This time it was tough&amp;quot;, Åkerfeldt said. &amp;quot;I feel pleasantly blown away by the immense result, though. It was indeed worth the effort.&amp;quot; Wilson also pushed the band to expand its sound, incorporating new sounds and production techniques. &amp;quot;Steve guided us into the realms of 'strange' noises for guitars and voice&amp;quot;, Åkerfeldt later said. &lt;br /&gt;Opeth released its fifth studio album, Blackwater Park, on February 21, 2001. Allmusic called Blackwater Park &amp;quot;astounding, a work of breathtaking creative breadth&amp;quot;, noting that the album &amp;quot;keeps with Opeth's tradition by transcending the limits of death/black metal and repeatedly shattering the foundations of conventional songwriting&amp;quot;. In support of Blackwater Park, Opeth embarked on its first world tour, headlined Europe for the first time, and made an appearance at the 2001 Wacken Open Air festival in Germany, playing to a crowd of 60,000. &lt;br /&gt;Deliverance and Damnation (2002–2004)&lt;br /&gt;Opeth returned home after touring in support of Blackwater Park, and began writing for the next album. At first, Åkerfeldt had trouble putting together new material: &amp;quot;I wanted to write something heavier than we'd ever done, still I had all these great mellow parts and arrangements which I didn't want to go to waste.&amp;quot;[17] Jonas Renkse of Katatonia, a long-time friend of Åkerfeldt, suggested writing music for two separate albums—one heavy and one soft. &lt;br /&gt;Excited at the prospect, Åkerfeldt agreed without consulting his band mates or record label. While his band mates liked the idea of recording two separate albums, Åkerfeldt had to convince the label: &amp;quot;I had to lie somewhat... saying that we could do this recording very soon, it won't cost more than a regular single album&amp;quot;.With most of the material written, the band rehearsed just once before entering Nacksving Studios in 2002, and again with producer Steven Wilson in Studio Fredman. Under pressure to complete both albums simultaneously, Åkerfeldt said the recording process was &amp;quot;the toughest test of our history&amp;quot;. After recording basic tracks, the band moved production to England to first mix the heavy album, Deliverance, with Andy Sneap at Backstage Studios. &amp;quot;Deliverance was so badly recorded, without any organisation whatsoever&amp;quot;, Åkerfeldt claimed, that Sneap &amp;quot;is credited as a 'saviour' in the sleeve, as he surely saved much of the recording&amp;quot;.&lt;br /&gt;Deliverance was released on November 4, 2002, and debuted at number 19 on the US Top Independent Albums chart, marking the band's first US chart appearance. Allmusic stated, &amp;quot;Deliverance is altogether more subtle than any of its predecessors, approaching listeners with haunting nuances and masterful dynamics rather than overwhelming them with sheer mass and complexity.&amp;quot; &lt;br /&gt;Opeth performed a one-off concert in Stockholm, then returned to the UK to finish recording vocals for the second of the two albums, Damnation, at Steve Wilson's No Man's Land Studios. Although Åkerfeldt initially believed the band could not finish both albums, Opeth completed Deliverance and Damnation in just seven weeks of studio time, which was the same amount spent on Blackwater Park alone. Damnation was released on April 14, 2003, and garnered the band its first appearance on the US Billboard 200 at number 192. The album also won the band a 2003 Swedish Grammy Award for Best Hard Rock Performance. &lt;br /&gt;The band embarked on its biggest tour yet, playing nearly 200 shows in 2003 and 2004. Opeth performed three special shows in Europe with two song lists each—one acoustic set and one heavy set. The band recorded its first DVD, Lamentations (Live at Shepherd's Bush Empire 2003), at Shepherd's Bush Empire in London, England. The DVD featured a two-hour performance, including the entire Damnation album, as well as several songs from Deliverance and Blackwater Park, and a one-hour documentary about the recording of Deliverance and Damnation. The DVD was eventually certified Gold in Canada. &lt;br /&gt;Opeth was scheduled to perform in Jordan without a crew due to the fear of terrorist attacks in the Middle East. Opeth's tour manager distributed 6,000 tickets for the concert, but before the band left for Jordan, Lopez called Åkerfeldt stating he was having a anxiety attack and could not perform, forcing the band to cancel the show. In early 2004, Lopez was sent home from Canada after more anxiety attacks on tour. Opeth decided against cancelling the remainder of the tour, and Lopez's drum technician filled in for two concerts. Lopez promised that he would return to the tour as soon as he could, but two shows later Opeth asked Strapping Young Lad drummer Gene Hoglan to fill in. Lopez eventually returned to Opeth for the Seattle show on the final leg of the Deliverance and Damnation tour. Per Wiberg also joined the band on tour to perform keyboards, and after more than a year on tour, Opeth returned home to start writing new material in 2004.</description>
            <author>alirezabayat</author>
            <pubDate>Sun, 02 Aug 2009 12:41:05 UT</pubDate>
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            <title>Bob Geldof</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3323923</link>
            <description>Robert Frederick Zenon &amp;quot;Bob&amp;quot; Geldof, KBE (born 5 October 1951) is an Irish singer, songwriter, author, and political activist. He rose to prominence as the lead singer of the Irish rock band Boomtown Rats. Geldof was born and raised in Dún Laoghaire, Ireland, and attended Blackrock College The Boomtown Rats had hits with his compositions &amp;quot;Rat Trap&amp;quot; and &amp;quot;I Don't Like Mondays&amp;quot;. He co-wrote &amp;quot;Do They Know It's Christmas?&amp;quot;, one of the best-selling singles of all time.&lt;br /&gt;&lt;br /&gt;Geldof is widely recognized for his activism, especially anti-poverty efforts concerning Africa.[6] In 1984, he and Midge Ure founded the charity supergroup Band Aid to raise money for famine relief in Ethiopia. They went on to organise the charity super-concert Live Aid the following year and the Live 8 concerts in 2005.Geldof currently serves as an adviser to DATA and the ONE Campaign, global anti-poverty campaigns founded by fellow Irish humanitarian Bono.[8] A single father, Geldof has also been outspoken for the Fathers' rights movement.&lt;br /&gt;&lt;br /&gt;Geldof has been nominated for the Nobel Peace Prize, was granted an honorary knighthood by Queen Elizabeth II of the United Kingdom, and was named as a Man of Peace among other awards and nominations</description>
            <author>alirezabayat</author>
            <pubDate>Wed, 29 Jul 2009 09:49:22 UT</pubDate>
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            <title>Archive Bio</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3322585</link>
            <description>Archive were formed by Darius Keeler and Danny Griffiths in 1994 from the ashes of the UK breakbeat act Genaside II. Together with the female singer Roya Arab and the young rapper Rosko John, the band released their first album &amp;quot;Londinium&amp;quot; on Island Records in 1996, a mix of dark Trip hop (in a similar vein to Massive Attack), electronica and progressive music. The album received moderate critical acclaim, but due to internal dispute the band split up later that year.&lt;br /&gt;&lt;br /&gt;However, in 1997 Keeler and Griffiths reformed Archive with another female singer (Suzanne Wooder) and in 1999 released their second album &amp;quot;Take My Head&amp;quot;, a mix of pop and symphonic trip-hop far more melodic than its predecessor. The band have described this album as their least favourite of their albums.&lt;br /&gt;&lt;br /&gt;Between 2002 and 2005 the band released three albums with singer Craig Walker (formerly of Power of Dreams) to growing popularity and critical acclaim, including a large following in France and Poland. These albums have seen Archive gradually turn away from their roots in Electronica and Trip hop and towards more psychedelic and progressive style of bands such as Pink Floyd, Mogwai, and The Secret Machines. The band also composed the soundtrack to the French film Michel Vaillant, released in November 2003.&lt;br /&gt;&lt;br /&gt;Archive announced at short notice that Walker would not join the band's tour in November 2004 &amp;quot;due to unforeseen circumstances&amp;quot;. Another statement from Darius Keeler hinted at personal problems keeping Walker from touring . In an interview with the TV station arte in late 2005 , Keeler and Griffiths stated that Walker is in fact no longer with Archive and is working on a solo album, whereas Walker has stated that he left Archive due to personal differences with management and other band members.&lt;br /&gt;&lt;br /&gt;In autumn of 2004, Archive announced that Dave Pen (Birdpen) would replace Walker on the Noise tour - due to the continuing personal problems between Walker and the rest of the band. During this same tour, Keeler and Griffiths met the singer Pollard Berrier at one of their shows in Vienna, Austria. The three began writing and rehearsing together, and were recording in Southside Studios, London, by September 2005.&lt;br /&gt;&lt;br /&gt;In May 2006, Archive released &amp;quot;Lights&amp;quot;, from which the first single was &amp;quot;System&amp;quot;. Dave Pen contributed on three tracks of the album and Maria Q sang on four tracks.&lt;br /&gt;&lt;br /&gt;They have been touring in Europe since 2006, with Dave Pen, Pollard Berrier and occasionally Maria Q as singers. As the critical reaction to their &amp;quot;Lights&amp;quot; tour has been excellent, they recorded a live DVD in Paris in January 2007.&lt;br /&gt;&lt;br /&gt;Archive released their 6th album &amp;quot;Controlling Crowds&amp;quot; on March 30th 2009. The first single was entitled &amp;quot;Bullets&amp;quot;.&lt;br /&gt;&lt;br /&gt;As of February 2009, Rosko John is &amp;quot;back in the Archive collective&amp;quot;, according to the official Archive newsletter</description>
            <author>alirezabayat</author>
            <pubDate>Tue, 28 Jul 2009 09:02:15 UT</pubDate>
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            <title>Alex Grey</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3319048</link>
            <description>Alex Grey (born November 29, 1953) is an American artist specializing in spiritual and psychedelic art (or visionary art) that is sometimes associated with the New Age movement. Grey is a Vajrayana practitioner. His oeuvre spans a variety of forms including performance art, process art, installation art, sculpture, visionary art, and painting. Grey is a member of the Integral Institute. He is also on the board of advisors for the Center for Cognitive Liberty and Ethics, and is the Chair of Wisdom University's Sacred Art Department. He and his wife Allyson Grey are the co-founders of the Chapel of Sacred Mirrors, a non-profit institution supporting Visionary Culture in New York City.Biography&lt;br /&gt;Alex Grey painting.&lt;br /&gt;&lt;br /&gt;Grey was born Alex Velzy in Columbus, Ohio on November 29, 1953, the middle child of a middle-class couple. His father was a graphic designer and encouraged his son's drawing ability. Young Alex would collect insects and dead animals from the suburban neighborhood and bury them in the back yard. The themes of death and transcendence weave throughout his artworks, from the earliest drawings to later performances, paintings and sculpture. He went to the Columbus College of Art and Design for two years (1971-73), then dropped out and painted billboards in Ohio for a year (1973-74). Grey then attended the School of the Museum of Fine Arts, Boston for one year, to study with the conceptual artist, Jay Jaroslav.&lt;br /&gt;&lt;br /&gt;At the Boston Museum School he met his wife, the artist Allyson Rymland Grey.[1] During this period he had a series of entheogenically induced mystical experiences that transformed his agnostic existentialism to a radical transcendentalism. The Grey couple would trip together on LSD. Alex then spent five years at Harvard Medical School working in the Anatomy department studying the body and preparing cadavers for dissection. He also worked at Harvard's department of Mind/Body Medicine with Dr. Herbert Benson and Dr. Joan Borysenko, conducting scientific experiments to investigate subtle healing energies. Alex's anatomical training prepared him for painting the Sacred Mirrors (explained below) and for doing medical illustration. When doctors saw his Sacred Mirrors, they asked him to do illustration work. Grey was an instructor in Artistic Anatomy and Figure Sculpture for ten years at New York University, and now teaches courses in Visionary Art with Allyson at The Open Center [1] in New York City; Naropa University in Boulder, Colorado; the California Institute of Integral Studies and the Omega Institute in Rhinebeck, New York.&lt;br /&gt;Inside the Chapel of Sacred Mirrors.&lt;br /&gt;&lt;br /&gt;In 1972 Grey began a series of art actions that bear resemblance to rites of passage, in that they present stages of a developing psyche. The approximately fifty performance rites, conducted over the last thirty years, move through transformations from an egocentric to more sociocentric and increasingly worldcentric and theocentric identity. The most recent performance was WorldSpirit, a spoken word and musical collaboration with Kenji Williams which was released in 2004 as a DVD.&lt;br /&gt;&lt;br /&gt;Grey's unique series of 21 life-sized paintings, the Sacred Mirrors (on display at the Chapel of Sacred Mirrors in New York City), takes the viewer on a journey toward their own divine nature by examining, in detail, the body, mind, and spirit. The Sacred Mirrors present the physical and subtle anatomy of an individual in the context of cosmic, biological and technological evolution. Begun in 1979, the series took a period of ten years to complete. It was during this period that he developed his depictions of the human body that &amp;quot;x-ray&amp;quot; the multiple layers of reality, and reveal the interplay of anatomical and spiritual forces. After painting the Sacred Mirrors, he applied this multidimensional perspective to such archetypal human experiences as praying, meditation, kissing, copulating, pregnancy, birth, nursing and dying. Grey’s recent work has explored the subject of consciousness from the perspective of &amp;quot;universal beings&amp;quot; whose bodies are grids of fire, eyes and infinite galactic swirls.&lt;br /&gt;A visitor appreciates a piece of art.&lt;br /&gt;&lt;br /&gt;Renowned healers Olga Worral and Rosalyn Bruyere have expressed appreciation for the skillful portrayal of clairvoyant vision in his paintings of translucent glowing bodies. Grey's paintings have been featured in venues as diverse as the album art of Tool, String Cheese Incident, the Beastie Boys and Nirvana, Newsweek magazine, the Discovery Channel, Rave flyers and sheets of blotter acid. His work has been exhibited worldwide, including Feature Inc., Tibet House, Stux Gallery, P.S. 1, The Outsider Art Fair and the New Museum in NYC, the Grand Palais in Paris, the Sao Paulo Biennial in Brazil. Alex has been a keynote speaker at conferences all over the world including Tokyo, Amsterdam, Basel, Barcelona and Manaus. The international psychedelic community has embraced Grey as an important mapmaker and spokesman for the visionary realm.&lt;br /&gt;&lt;br /&gt;A large installation called Heart Net by Alex and his wife, Allyson, was displayed at Baltimore's American Visionary Art Museum in 1998-99. A mid-career retrospective of Grey's works was exhibited at the Museum of Contemporary Art, San Diego in 1999. The large format art book, Sacred Mirrors: The Visionary Art of Alex Grey has been translated into five languages and has sold over one hundred thousand copies, unusual for an art book. His inspirational book, The Mission of Art, traces the evolution of human consciousness through art history, exploring the role of an artist's intention and conscience, and reflecting on the creative process as a spiritual path.&lt;br /&gt;&lt;br /&gt;Transfigurations is Alex's second large-format monograph, containing over 300 color and black &amp;amp; white images of his work. Sounds True has released The Visionary Artist, a CD of Grey's reflections on art as a spiritual practice. ARTmind is the artist's recent video exploring the healing potential of Sacred Art. Grey co-edited the book, Zig Zag Zen: Buddhism and Psychedelics (Chronicle Books, 2002). In 2004 Grey’s VISIONS boxed set containing a portfolio of new works and Sacred Mirrors and Transfigurations, his collected works. The Chapel of Sacred Mirrors, CoSM, a long-term exhibition of fifty works of transformative art by Grey opened in the Fall of 2004 in New York City. He lives in New York City with his wife, painter Allyson Grey, and their daughter, actress Zena Grey.</description>
            <author>alirezabayat</author>
            <pubDate>Sat, 25 Jul 2009 10:51:14 UT</pubDate>
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            <title>Rock Star ( Porcupine Tree)</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3305990</link>
            <description>Porcupine Tree are a Grammy award-nominated progressive rock band formed by Steven Wilson in 1987 in Hemel Hempstead, Hertfordshire, England. Apart from psychedelic rock, their music has been very influenced by trance, krautrock and ambient due to Steven Wilson and Richard Barbieri's liking for the Kosmische Musik scene of the early '70s, led by bands such as Tangerine Dream, Neu! and Can. They have recently begun to lean towards metal music also.&lt;br /&gt;&lt;br /&gt;Live performances include screens displaying a different film projection for each song. This visual element was introduced during the tour for the In Absentia album, when the band started to work with Danish photographer and filmmaker Lasse Hoile, whose involvement created an ultimate distinctive image for the band.&lt;br /&gt;&lt;br /&gt;Despite being signed to both Roadrunner and Atlantic labels, the band have their own record label, Transmission, which they use to launch some independent releases and special editions of their albums. Porcupine Tree have an official online store on Burning Shed (also home for OSI, Chroma Key and Roger Eno among others), the official online distributor to legendary label Peaceville Records, and the more recent Progressive Rock imprint, Kscope (both Snapper Music divisions).&lt;br /&gt;&lt;br /&gt;With their 2007 album Fear of a Blank Planet, the band obtained a Grammy Award nomination for Best Surround Sound Album.For more information about this band please follow this address:&lt;a href=&quot;http://en.netlog.com/go/out/url=http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FPorcupine_Tree&quot;target=&quot;_blank&quot; rel=&quot;nofollow&quot;&gt;http://en.wikipedia.org/wiki/Porcupine_Tree&lt;/a&gt;</description>
            <author>alirezabayat</author>
            <pubDate>Tue, 14 Jul 2009 14:58:21 UT</pubDate>
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            <title>Michael jackson</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3297995</link>
            <description>Michael Joseph Jackson (August 29, 1958–June 25, 2009) was an American recording artist, entertainer and businessman, whose unique contributions to popular music and dance, along with his highly publicized personal life, made him a central part of popular culture for four decades. One of the few artists to have been inducted into the Rock and Roll Hall of Fame twice, his achievements included multiple Guinness World Records—including the &amp;quot;Most Successful Entertainer of All Time&amp;quot;—13 Grammy Awards, 13 number one singles in his solo career, and the sale of over 750 million records worldwide.&lt;br /&gt;&lt;br /&gt;The seventh child of the Jackson family, he made his debut in 1968 as a member of The Jackson 5, beginning a solo career in 1971 while still a member of the group, a career that saw him dubbed the &amp;quot;King of Pop.&amp;quot; His 1982 album Thriller remains the best-selling album of all time, with four of his other solo albums among the best-selling: Off the Wall (1979), Bad (1987), Dangerous (1991), and HIStory (1995).&lt;br /&gt;&lt;br /&gt;In the early 1980s, he became a dominant figure in American popular culture. He was the first African American entertainer to amass a strong crossover following on MTV, with videos such as &amp;quot;Beat It,&amp;quot; &amp;quot;Billie Jean,&amp;quot; and Thriller—widely credited with transforming the music video from a promotional tool into an art form—bringing fame to the relatively new channel. Videos such as &amp;quot;Black or White&amp;quot; and &amp;quot;Scream&amp;quot; made him an enduring staple on MTV well into the 1990s. Beyond his success on television, he popularized a number of physically complicated dance techniques, such as the robot and the moonwalk, with his elaborate stage performances. His distinctive musical sound and vocal style influenced many hip hop, pop, and contemporary R&amp;amp;B artists across several generations.&lt;br /&gt;&lt;br /&gt;Jackson donated and raised millions of dollars for beneficial causes through his Heal the World Foundation, charity singles, and support of 39 charities. Aspects of his personal life, including his changing appearance and behavior, generated significant controversy. He had experienced health concerns since the early 1990s, along with conflicting reports regarding the state of his finances. Accused of child sexual abuse in 1993, his health and reputation were affected by the controversy, though no charges were brought because of a lack of evidence. He married twice and fathered three children, one of them using a surrogate mother, actions that triggered further speculation about his life. In 2005, he was tried and acquitted in connection with different child sexual abuse allegations. He died on June 25, 2009, aged 50, after suffering cardiac arrest. His public memorial on July 7, 2009, was broadcast live around the world, and watched by up to one billion people.</description>
            <author>alirezabayat</author>
            <pubDate>Wed, 08 Jul 2009 14:13:21 UT</pubDate>
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        <item>
            <title>Hot link</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3291011</link>
            <description>&lt;a href=&quot;http://en.netlog.com/go/out/url=http%3A%2F%2Fwww.azchords.com%2F&quot;target=&quot;_blank&quot; rel=&quot;nofollow&quot;&gt;http://www.azchords.com/&lt;/a&gt;&lt;br /&gt;Agar navazande Electric or Acoustic guitar hastid mitonid ba moraje be in site Lyric va Chord haye Band haye khob va mashore donya ro cover konid .&lt;br /&gt;Enjoy it &lt;br /&gt;Alireza bayat</description>
            <author>alirezabayat</author>
            <pubDate>Thu, 02 Jul 2009 18:46:02 UT</pubDate>
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        <item>
            <title>خرید گیتار</title>
            <link>http://en.netlog.com/alirezabayat/blog/blogid=3284384</link>
            <description>اگر مایل به خرید گیتار الکتریک هستید میتونید رو کمک من حساب کنید</description>
            <author>alirezabayat</author>
            <pubDate>Sat, 27 Jun 2009 11:22:37 UT</pubDate>
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